THE MASTERING Room
COAST MASTERING was relocated and rebuilt in 2020 from the ground up, focusing on a variety of immersive and stereo formats, including DOLBY ATMOS, SONY 360 RA and AURO-3D. We did not just add speakers to an existing room, we started from scratch, digging down far enough to stabilize the room which now sits on an underground 30” slab of rebar and concrete.
Working with renowned acoustic expert Bob Hodas and project manager Bob Levy, we designed a 9.1.6 mastering environment before the first shovel went in the ground.
Multiple layers of sheet rock, quiet rock and hat channel were used to isolate and give consistency to density and reflections.
With nearly three feet of bass trapping custom-situated above the mastering room, we used Apertures from Stillpoints to both absorb and diffuse energy in the room as needed. This allows a very direct presentation from the speakers. Imaging and localization are incredible.
All our external gear is located to the right and left of the engineer position to prevent the console from obstructing the direct path of the speakers.
PLAYBACK SYSTEM: Focal Stella (supported by Iso-Acoustic Gaia Titans) and Focal Diablo Evo speakers on the main level
HEIGHT SPEAKERS: Neumann 310s
SUB: Meyer Amie for the LFE channel
AMPLIFIERS: Bricasti
DIGITAL TO ANALOG CONVERSION: Bricasti M1s
MASTERING CONSOLE: SPL DMC, MC16 and Hermes are the core of the mastering console.
OUTBOARD GEAR: GML 2030, EAR 825/660, SPL PQ/Iron, Spectra Sonic v610s and more
ANALOG PLAYBACK: ATR 104, modified by ATR Service Co. and heads from Greg Orton that can accommodate everything from 1/4” mono/stereo/4-track, 1/2” mono/stereo/4-track and 1” stereo.
TURNTABLE: Spiral Groove SG1/2 with multiple cartridges handles playback for restoration and test pressing QC
WIRING: WireWorld interconnects and speaker wiring are fed under floor from machine room and side credenzas
ROOM DIMENSIONS: 21’x16’x11’
Speaker position adjustments can be made to fit the needed format.